- #Best plug in for mac monitor space performances drivers
- #Best plug in for mac monitor space performances driver
BX8-D3’s tweeter is mounted in a custom waveguide for reliably accurate dispersion that eliminates unwanted high-frequency “scatter,” whilst ensuring a soundstage that remains consistently wide and stable. When combined with a smoothly-flared port, BX8-D3 monitors markedly reduce theaudibly-intrusive air turbulence that results when bass is played back at high sound pressure levels (SPLs). The result? Deep, defined bass response with maximum bass extension and resolution. BX8-D3 monitors have a rear- mounted bass port, meticulously engineered to the exact length and diameter. With M-Audio’s BX8-D3, every detail has been meticulously engineered with one goal in mind - to facilitate the freedom to mix with confidence.
#Best plug in for mac monitor space performances drivers
Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand. Driving the low-end and midrange, BX8-D3’s 8-inch military-grade Kevlar® woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted “cone breakup.” BX8- D3’s treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters.
#Best plug in for mac monitor space performances driver
Monitor Performance Starts with Driver ExcellenceĪ monitor’s drivers are the heart and soul of its performance. Listen with confidence: with M-Audio’s BX8-D3 studio reference monitors, you’ll hear everything in lifelike detail, so your mixes and recordings will sound their best! Trusted by recording/mix engineers and composers globally, M-Audio’s BX monitors guarantee absolute surgical precision and repeatable engineering excellence.
Introducing M-Audio’s BX8-D3 monitors-the return of a studio icon and the successor to the industry-renowned BX D2 monitors. Response peaks\dips, uneven polar response, high THD, nasal midrange, bloated mid-bass, and crossover-induced phase incoherence do nothing but undermine the confidence demanded for superior mix performance. In a studio-grade monitor speaker, there is no place for the usual list of speaker colorations and limitations prevalent in conventional loudspeakers.
It has to tell you, the music producer- dependably and unquestionably-exactly what is or is not in your recording. Unlike a conventional speaker, a true monitor must be unerringly accurate, with a flat frequency response and vanishingly low distortion. A studio monitor is no ordinary loudspeaker.
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